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Level Setting

• Input sensitivity – Adjusted using supplied set-up CD
• Separate level settings for Auxiliary sources
• Independent level control for each of the 8 output channels
• Automatic de-equalization using supplied software and setup discs
• Four separate 31 band graphic equalizers
• Separate 31 band graphic equalizers for each of the auxiliary inputs
• Crossover filters; High Pass, Low Pass, Bandpass, Full Range, 70 different frequencies between 10Hz and 20kHz; selectable filter slopes from -6 to -48dB per octave; selectable Linkwitz or Butterworth alignments; muting for each channel; separate 0-180° phase setting for each channel.
Time Alignment
• Guided procedure allows inputting of the speaker distance from the listener, and automatic calculations of required delay. Manual fine tuning adjustment of delay settings for all eight channels.
Digital Remote Control
The DRC acts as a master volume control, and also provides quick adjustments for subwoofer volume, balance, fader, memorized settings, and turning the Dynamic EQ on and off.
Standard and Expert Modes
• There are standard modes that greatly simplify adjustments, and will do things like adjusting both front channels together, rather than independently. But for total and complete control you can select Expert mode, and take control over each setting on each channel separately.
• Another really useful feature that sets the Audison Bit One apart from the competition is the Dynamic EQ function. If you’ve ever noticed your system loses both bass output as well as some of the upper end detail when you lower the volume, you’re not alone. This is caused by the human ears inability to discern very low and very high frequencies at low volume. With the Bit One, you can dial in a specific EQ curve to compensate for the loss of these frequencies at each end of the spectrum. Then as you raise the volume, the Bit One will automatically decrease the effect, until you reach a predetermined level where it no longer applies any boost. This is especially handy, because you don’t have to worry about overdriving anything as you turn the system up. Even better, you can use the preset curve, or create one all your own.
• Yet another feature that is always fun to play with, is the digital delay available for each channel. This function allows you to compensate for speaker-to-listener pathlength differences, or delay the whole front stage to let the output from the subwoofers arrive earlier, which can really be helpful in bringing the bass up front. Of course while any imaging compensation you do for one position will have an adverse effect on any other position, if you frequently drive alone, you can have your cake and eat it too! 


On the Bench

I hooked the Audison Bit One up to my trusty Audio Precision, and made a bunch of measurements. As expected with high end gear like this, it performed exactly as advertised, or in some cases even a little better! The Bit One has a wide range of adjustability, and the automated setup function means it’s very capable of being fully compatible with virtually any head unit or other peripheral device.
With the Bit One, you have the ability to solve all of the above problems, and many more. The high level inputs can be connected to your OEM radios speaker outputs. You can sum the channels to get a single full range output, or configure them as independent channels to a dedicated output.


A couple thousand words in a magazine review can’t do justice to the kind of processing power and far reaching tune-ability provided by Audison’s Bit One. The software provides the kind of control and functionality that will allow you to tune a car in an hour or two, compared to the days a traditional setup would require. If you are in the market for an excellent tuning tool, and even more so if you have to interface with any OEM source unit, you really should visit an Audison dealer and get a live demo of what this thing can actually do in a car. If you truly enjoy tweaking, you may never go back in the house!